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ßíäåêñ ëåíòà
Ðåêëàìà íà ñàéòå
Ôåâðàëü 2010 (43) ßíâàðü 2010 (511) Äåêàáðü 2009 (475) Íîÿáðü 2009 (659) Îêòÿáðü 2009 (572) Ñåíòÿáðü 2009 (377)
Ðåêëàìíàÿ ïàóçà
Âñåãäà ïîìîæåì ñ áèëåòàìè áèëåòû íà ñïåêòàêëè , íåäîðîãî è áûñòðî - teatrbilet.ru
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Before showing series from Poland, few words on how it started:
In Detroit, I bought my most important camera - the Mamiya 7.
“And then we hit the road.”
The American landscapes greatly impressed me – I would constantly see the traces of famous photographers such as Ansel Adams or William Eggleston. However, throughout my journey I felt that nowadays, after they have already been there, it is really difficult to photograph something new there.
When I returned to Poland I felt really tempted to continue this series. I realized that all around me there is an unsurveyed area that had not been photographed in modern times. I started working on it in extremely harsh conditions - autumn was turning into winter, so Poland was monochromatic, depressing, dirty and cold.
My expeditions would last up to a week each. My assistant would drive so that I could look through the window
during the journey. We travelled at night. We would go to sleep at 8 a.m., still a winter dawn, and get up around 2 p.m. already at dusk.
Photographing Poland during the day is a very challenging task. I think the only time it makes sense is at dawn.
Dawn after a sleepless night always impresses me.
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Ïóáëèêàöèÿ ïðîäîëæàåò òåìó ñðåäíåðóññêîé ïðîâèíöèè â òâîð÷åñòâå ôîòîãðàôà
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Âûäåðæêàìè â íåñêîëüêî ñåêóíä â ôîòîãðàôèè íèêîãî íå óäèâèøü. â íåñêîëüêî ìèíóò, âïðî÷åì, òîæå. íåñêîëüêî ÷àñîâ? õîòÿ è òàêîå âñòðå÷àåòñÿ âñå-òàêè íå òàê óæ ðåäêî. à íåñêîëüêî äíåé? íåäåëü? ëåò? îêàçûâàåòñÿ, è òàêîå áûâàåò!
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Ïîïóëÿðíîå
ÒåãèArray, David, Michael, Photography, Steven, àðò, ãëàìóðíûå ôîòî, ãðàôôèòè, äðóãèå ôîòî, Èëëþñòðàòîð, Êðàñèâûå, êðåàòèâ, êðåàòèâíàÿ ðåêëàìà, êóêëû, Íåìíîãî, íèêîì, íîâûå, îò ïîëüçîâàòåëåé, Ïîðòðåòû, Ïîðòôîëèî, ïðèðîäà, ïðîôåññèîíàëüíûå ôîòî, ðàáîò, ðàáîòû, ðåêëàìà, ðèñóíêè, ñêóëüïòóðû, ôîòî àðò, ôîòî íþ, ôîòî ïîðòðåò, ôîòî ïðèðîäû, Ôîòîãðàô, ôîòîãðàôà, Ôîòîãðàôèè, Õóäîæíèê, õóäîæíèêà, õóäîæíèêè, Õóäîæíèöà, ÷¸ðíî-áåëûå ôîòî, ÷àñòüÏîêàçàòü âñå òåãè
Ðåêëàìà
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